Friday, July 11, 2014

The character I admire the most, the wounded healer heroine

Free Spirit
By Phil Penner

Aponi shss’s the salt air from her nose to drive away the feeling of gnats buzzing in her nostrils that snap her senses to attention. She’s thinks, Must be a bad moon rising, seems like everyone is upset about something today.
Her hands are perspiring, making it difficult to prevent damaging her dry ph test paper. She succeeds on the second attempt. The viscous drops that fuel the gaseous ectoplasm in the test-tube are to par at 7.2 acid/alkaline ratio.
Aponi dials up her friend Ann and gets voicemail, with a slight crack in her voice she says, “Aponi, It’s almost nine. Listen, if you don’t hear from me by ten, please do me a huge favor and come to Chicano Park and check on me, fast. Someday I’ll be able to explain, I need you to do this, okay?”
This is the first time she’s attempted this procedure outside of the lab. The potential ramifications of this experiment are too controversial for oversight or assistance from anyone.
Her heart begins hammering and her breathing is picking up fast.  She replaces the cork on the test tube and decides to meditate her way down to the Earth’s natural frequency of 7.8 hertz, the Schumann Resonance.
“Beloved presence of spirit,” she says, sitting cross-leg with open heart and palms supine, on her bunk in her travel van. “Connect me to your infinite wisdom, show me the natural path.”
She has a small shrine mounted on her dashboard that helps keep her mother close at heart. The photo was taken at a Native American dance festival. Mother’s tan was a caramel glaze. Her headdress employed a prominent quartz crystal for her third eye. The crystal was held by a snake’s tail. From there the serpent wrapped her head like a tiara with fangs, recoiled and ready to strike from above her forehead. Aponi shares her mother’s jaguar like physique.
 Outside of Aponi’s van, drums are amplified to distortion. The walls of her van add metallic vibrations to the Aztec music in Chicano Park. The sounds of Flageolet flutes seduce her meditation as she turns her mindset to being one with the music, rather than blocking it out.
     The park is nestled beneath four low flying freeway transition ramps on the south end of San Diego. Above, tires grind on asphalt like puppet master ghosts on a higher plane. Low elevation lighting contributes to a spooky night-time ambiance. Aztec murals are painted on the support columns of the freeway transition ramps. The human images in these murals seem to mull in shadows thus add to the eerie feeling.
     Aponi is serene and sets her alarm clock that’s connected to a high frequency transmitter. She quickly takes the test tube from the stirring device and pops the cork. Inside the test tube the condensed ectoplasm contains her antidote that will draw in her spirit.
Two quick blasts from the inhaler marked with a red X for Salvia Extract. She lays back quickly before her consciousness escapes her body. Chemical fire scorches her throat and creeps into her sinuses. Aponi has one last second and thinks, Man, this realllly sucks.
     Her spirit leaps from the dread of Salvia Extract in her body. Like a genie in a reverse vortex her spirit is drawn into the her ectoplasm that’s cooking up a fog in the test tube. Instantly her spirit and ectoplasm rush right back out in a tiny tornado, out through the narrow crack between the van’s window and doorframe. Her spirit link and ectoplasm spiral away through the foggy and viscous atmosphere.
Aponi senses her self-awareness and thinks, Yaahoo, this is so wicked! Infrared images. Bank hard left, pirouette up and… float down like an oversized parachute in marshmallow clouds.
     Aponi is moving like a sloth while being impeded by sponge-like grass. It saps her ectoplasm like walking in sand. She propels her tiny cloud up to the top of the bronze head of General Zapata’s statue. She thinks, I was right, every plant and animal is like sonar that’s sending me DMT signals. This is because her knowledge of the surroundings comes directly from The Akashic Field, the intelligence that drives creation.
Beyond Aponi’s immediate perception, yet present in the spirit energy field is a young Latina who’s headed for the restroom. Both restrooms have been closed for maintenance. A disgusting man is picking the lock on the steel restroom gate. His squalid appearance is accentuated by his odor, mostly alcohol and urine soaked clothing. There’s a brown malignant growth on his nose that’s the size of a penny, an ominous badge, warning of his anatomical meltdown. He quietly swings the steel door open then slips in and around the corner.
Latina girl is intoxicated and has no inkling of the impending danger inside the restroom while she’s swallowed into the darkness.
The man lurches and grabs the girl from behind. He slaps his filthy hand over her mouth and brandishes a handgun which he jams into her temple and growls,
“Any noise and yer dead.”
He spins her like a top and shoves her back against the wall. Latina girl sees his face like a horror flick. The overall stench of the man and the restroom have brought the girl to the point of projectile vomiting, but she’s mortified to paralysis.
Aponi senses the Latina girl’s distress from her bronze  perch and races into the restroom. Patches of dull light penetrate from high wall vents creating illumination equal to a candle flickering in a dungeon.
Aponi races up into his sinuses. Her voice rumbles through his head like an angry god,
“If you don’t stop now you will suffer.”
The man shakes his head as if to throw off the foreign entity and ignores it.
Aponi calls on angels and breaks into a Navajo war chant,
     “Hey ah na na hey ah na na hey ah na na HEY.”
To his amazement, the man is fighting his right arm with his left and the left arm now begins to win. His wrist and elbow turn the gun back on himself.
“Hey ah na na hey ah na na hey ah na na HEY.”
     The man struggles mightily with Aponi’s control over him. Latina girl sees a chance and knees him in the nuts for all she’s worth. Aponi feels the pain exploding through his body and doesn’t know if she can keep him under control. She snaps all of the man’s energy she can muster to the trigger finger of his gun hand.
     Aponi’s perception goes slow motion. She can see the fire  chasing the bullet and its accompanying atmospheric shock waves. The thunderous explosion screams of finality.
The flash illuminates the bathroom. Aponi freeze frames the girl’s face with mouth aghast. The girl begins to reach for the man’s hands. The bullet eclipses everything else and BAM, lights out, and the man collapses to the floor.
     Latina girl screams and claws her way out of the bathroom. Aponi feels no particular urgency to exit the man’s head. She senses to him, Can you say cockroach?
The man’s unconscious spirit responds to her with a murmur, “Go fu.”
Aponi senses to him, Coachroach may be all you can attain in your next incarnation after this stunt. You will live to die another day. If you even think of hurting anyone again I will cause you to be crushed by a bus.

Aponi is blasted to awareness of time by the high frequency beacon going off in her van. She quickly and efficiently propels her spirit cloud back to her van. While hovering next to her hibernating body she senses a scary chill in her ectoplasm. She dives into her test tube hoping to stimulate the spirit juice.
Fortunately her body is jolted by her stress and becomes ready to receive her. With all of the energy she can muster she shoots back out of the test-tube and up into her sinuses. Aponi tells her body to breathe deeply and relax while she melds back
into her seat of consciousness.
BAM – she snaps from slumber and views the note she had taped to the ceiling of her van, CHECK PH NOW. She shuts off the annoying high frequency alarm and pulls a short piece of test paper from the dispenser. While holding it against her nostril she shss’s hard to expel traces of ectoplasm.

+
The following morning Aponi plummets her van into Parking Structure One at San Diego State University. At age 29 she’s been doing contract research for Taiwonon Pharmaceuticals.
Crap, not this damn sign again, she thinks.
Aponi is frequently annoyed when driving under the 6’-8” clearance panel. It’s fabricated with sharp edged aluminum skins over a foam core. A short section of rubber trim is detached and  the exposed aluminum scrapes paint off the roof of her van. She anticipates the day when rust eats through causing a leak.
Gliding into a space, she checks for her special parking permit and smiles warmly at the picture of her mother. Suddenly she gets one of those annoying guilt pangs and feels she must deal with it now. She flashes back on the accident, the one that changed everything. She was seven years old and mommy was tired again. They were in the faded blue Civic with dented fenders, a broken tail light lens, and a dream catcher dangling from the mirror.
Aponi wants her mental tapes to stop but she needs to keep going. She tells herself,
You’re going to break down that wall of fear and make
friends with or conquer this demon. 
Soon her mind’s eye is back in the front seat of the Civic when little Aponi said,
“Mommy, I want a bow and arrow,”
“You already have them.”
“I want real arrows,” screams little Aponi. She was near tears and reached behind the seat for an arrow so she could show mommy the stupid suction cup on the end.  The arrow’s shaft was lodged between the seats. She twisted in her seat and pulled the arrow with all her little might. The arrow broke free and struck mommy in the side of her temple.
     “What in the,” blurted Mom. She looked over and was distracted a moment too long.
     Aponi snaps back to lucidity. Her mind is tortured by this tape and shuts it down. She tries harder to meditate her way back into the nightmare that happened that day and succeeds.
Aponi’s mom had run a red light and was still looking at Aponi when her little girl gasped. An SUV, like a charging rhinoceros, glared its headlight and grill on the driver’s side of the car. Her mother’s head suddenly slammed against the shattering glass and steel. Just as she saw her Mother’s scary clown face; Aponi’s little torso was ripped sideways so hard it snapped Aponi’s lower back and she was out like a light.

+
By the age of twenty two Aponi began to realize that she was acting out with self-destructively behaviors. Her Father tried to persuade her to know herself better, though he himself had no pristine record regarding perfect behavior. She may never completely eliminate all moments of shame and loss. She has consciously forgiven herself, after all: she was a little girl who didn’t understand the dangerous environment of the vehicle she was in. Early experiences are like main arteries of our personality, these old habits are the hardest to break.
Aponi also decided that her spindly legs, the broken wings that remind her of that day are one of the most beautiful things about her. Aponi committed herself to honoring her Mother by living large enough for both of them.